A Unique Family of Filmmakers
If you’re the type of parent who enjoys folk-horror movies, engaging in crafts with your children, and taking off-the-beaten-path family road trips, chances are you might find inspiration from the ultra-hip Adams-Poser family. This family, rooted in upstate New York, consists of the cool-cat parents Toby Poser and John Adams, along with their creative children, Zelda and Lulu Adams. Their family projects not only embody a unique style but also a comprehensive involvement in their film creation, wearing multiple hats as co-directors, co-writers, producers, actors, camera operators, and even costume designers. Their productions stand out as polished, professional, and notably effective at generating chills. Though their scripts sometimes verge on the pretentious, they consistently captivate with their originality and intrigue.
Previous and Recent Cinematic Ventures
The Adams-Poser family has previously delighted audiences with titles such as Hellbender, Halfway to Zen, and Rumblestrips. These films frequently explore themes of family dynamics, though John Adams and Poser do not always stick to traditional parental roles in their narratives. In their latest venture, Poser transforms into the enigmatic Solveig by dyeing wool blue to craft a mystical, cerulean garment. Solveig is portrayed as a peculiar woman with intense maternal instincts, particularly towards a swarm of bluebottles that seems to follow her persistently. Although not the biological mother, she shows a deep affection towards the main character, Mickey (played by Zelda Adams), a college student grappling with a terminal cancer prognosis. An apple-sized, inoperable tumor threatens her life, with only about six months left to live, as revealed through sparse yet poignant dialogue.
Desperate for any form of relief, Mickey heeds a cryptic call to visit Solveig in her secluded and eerie forest dwelling, accompanied by her widowed father, Jake (John Adams). The house, an eclectic mix of Victorian architecture and baobab tree influences, is shrouded in moss and entwined roots. While Jake struggles with the unconventional diet of foraged mushrooms and leaves and the absence of modern amenities, he remains supportive of any possibility that might aid his daughter. Mickey, on the other hand, finds herself drawn into Solveig’s strange world, complete with outdated speech and subtle doses of psychedelic substances. This bizarre experience, undoubtedly, would fascinate certain adventurous spirits if it were an actual lodging option on Airbnb.
Building Atmospheric Tension
During the initial 45 minutes, the filmmakers skillfully cultivate a dense and eerie atmosphere. The narrative oscillates between the conventional perspectives of Mickey and Jake and the more surreal experiences associated with Solveig. These vivid scenes are soaked in synthetic blood, featuring decaying corpses with gaping mouths and lifeless infants discarded without care, all under the watchful eyes of the solemn and ominous Adams family members, who appear throughout the cast list. The unsettling atmosphere is rich with dark undertones, although at times, it is slightly overextended with sequences filled with what resembles poor imitations of Emily Dickinson’s poetry, disrupting the flow like a lumpy, worn-out mattress.
Overall, this latest output from the Adams-Poser collective is a step up in terms of polish and professionalism compared to their earlier works, though it may not represent a significant evolution in their filmmaking trajectory.
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Fatima Clarke is a seasoned health reporter who bridges medical science with human stories. She writes with compassion, precision, and a drive to inform.
