Lisa Kudrow’s “The Comeback” Review: Alan Partridge With Zero Laughs!

June 8, 2026

https://www.theguardian.com/tv-and-radio/2026/mar/25/the-comeback-review-lisa-kudrow-is-alan-partridge-but-with-no-laughs

The American Alan Partridge: Valerie Cherish

Valerie Cherish might just be the American counterpart to Britain’s Alan Partridge. Both characters are deeply narcissistic, holding tightly onto their fame from the 1990s—Cherish as the star of a hit sitcom and Partridge as the host of a BBC talk show. Remarkably, both have made intermittent appearances over several decades: Steve Coogan’s Partridge first gracing screens 32 years ago, and Lisa Kudrow’s Cherish debuting in “The Comeback” in 2005, with a recent return for a third season.

A Lens on the Entertainment World

Cherish and Partridge serve as vehicles for their creators to critique the shifting sands of the entertainment industry. Partridge’s career arc includes everything from sports commentary to self-made documentaries on mental health, lampooning local radio, travel shows, podcasting, celebrity biographies, and afternoon TV magazines along the way. “The Comeback” began by simultaneously mocking studio sitcoms and reality TV. Co-created by Kudrow and Michael Patrick King, known for his work on “Sex and the City,” the first season centers around a documentary-style look at Cherish’s comeback in a lowbrow comedy called “Room and Bored.” The show was later revived in 2014, capturing another career resurgence for Cherish as she garnered critical acclaim for her role in “Seeing Red,” a dark comedy based on her real-life tensions with “Room and Bored’s” drug-addicted co-writer, Paulie G.

Valerie Cherish Tackles the Modern Age

The narrative has always had a meta-awareness, and now Kudrow’s character navigates the current zeitgeist once more. We see Valerie in a semi-retired state, living in a luxurious condo, filling her days with trivial podcasting and endless social media updates (including becoming a meme after a disastrous appearance on “The Traitors”). The plot thickens when she is offered a lead role in a new traditional sitcom by a major studio president (played by Andrew Scott, among other notable guest stars). The show, “How’s That?” set in a New England B&B, appears perfect but comes with a catch: it will be secretly written by an advanced AI, a contentious issue reflecting the real concerns of the 2023 US writers’ strikes. Despite initial reservations, vague promises of human oversight sway Cherish to sign up.

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Artificial Intelligence in Comedy Writing

“The Comeback” doesn’t make light of its premise. While the AI occasionally blunders—like inexplicably moving the character Beth to prison—it generally produces an array of lackluster jokes fitting for a conventional multi-camera sitcom. Is this a satirical jab at uninspired comedic writing so simplistic that a machine could master it? Not exactly. Rather, “How’s That?” is celebrated as a homage to human-created television, arguing that the real issue with AI is not that it makes generic and derivative content, but that it prevents humans from making their own generic and derivative content—a reflection of Los Angeles’ dire unemployment rates.

The latest season of “The Comeback” maintains its format as a mockumentary with less and less justification, struggling to find a place for a reality show about a middle-aged sitcom actress in today’s TV landscape. Moreover, Cherish, once a sharp-tongued, washed-up celebrity akin to Partridge, is now portrayed as a beloved figure. She unites the cast of “How’s That?” with endless pep talks, her constant smile nearly as grating as her conversational fillers. The humor that once defined the show has largely evaporated, replaced by a series of saccharine interactions.

While “The Comeback” has always been more reflective of the state of comedy than comedic itself, this return lacks the biting satire it once had, rendering it a gentle tribute to a genre beleaguered by the modern era. Unfortunately, it falls short of reigniting faith in the genre’s future.

  • “The Comeback” is available on Sky Comedy and Now in the UK, and HBO Max in Australia.

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